The ability to remove the cerebral assumptions of what you think you know and just respond honestly can be key to developing authentic work.
With glass, I am able to incorporate light and color into the work, giving my sculptures another dimension—one that feels a bit more alive.
"My aim is always to respond to and respect the cultures wherever I am working and let the experience of being there enter the work. "
There is no question that plein air painting is a class of painting unto itself, and we understood early on that it can be more akin to an extreme sport than a creative activity.
"My mind is an evocative jumble of myths, facts, and fictions. I view and articulate my world through narrative."