In her latest post for the online publication ProWax Journal, Deborah Winiarski explores pattern in art. She has selected two works from each of six artists, which all share an “affinity toward a reiteration of elements—whether geometrical, kaleidoscopic, musical, or textile in nature—as a starting point from which to sing their singular songs.” See and read more in “Off the Grid.”
Timothy J. Clark’s portrait of Chief Judge Sandra Lynch was unveiled at Boston’s Federal Courthouse on June 4, 2015, before dignitaries that included Supreme Court Justice Stephen Breyer and retired Justice David Souter. The portrait is now part of the Court’s permanent collection.
In the Presence of Sacred Light: The Masterworks of Timothy J. Clark was Timothy J. Clark’s solo exhibition at the Loyola University Museum of Art (Chicago, IL), May 23—August 2, 2015.
“Timothy J. Clark’s Poetic Realism,” an article by Leo J. O’Donovan, S.J., appears in the current issue of America and includes five paintings that were part of Clark’s recent solo exhibition In the Presence of Sacred Light: The Masterworks of Timothy J. Clark.
“Sacred Light: The Art of Timothy J. Clark,” an article by Kelly Compton, appeared in the May/June issue of Fine Art Connoisseur and includes four of Clark’s recent watercolor paintings.
Two articles by Jerry Weiss will appear in the September 2015 issue of The Artist’s Magazine. For his monthly “Master Class” column, Weiss writes about how Paul Gauguin’s “outrageous life found a measure of equanimity in art.” The article, “Extracting Calm from Chaos,” is available to read here as a PDF (page 1 and page 2). Weiss’s second article, “An Insolent Kind of Magnificence,” is a richly illustrated extended review of the Metropolitan Museum’s current exhibition “Sargent: Portraits of Artists and Friends,” which you can read here (page 1, page 2, page 3, page 4, page 5, page 7, page 7, and page 8).
Richard Barnet is one of sixteen artists exhibiting in William Homan Gallery’s Summer Group Show, which opened July 22 and continues through August 26, 2015.
Bill Behken’s Night Passage, Noble & Serene is featured on the front page of the July 2015 issue of the Journal of the Print World. “The highlight of my Staten Island Ferry passage across New York Harbor,” says Behken, “is the thrill of seeing the Statue of Liberty emerge…larger and larger to dominate that expansive space of water. Her stance of endurance and certitude inspires in me the knowledge that we have the freedom to think, speak and pursue our lives as we wish. She represents the nobility of our humanity.”