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Deborah Winiarski’s “Off the Grid”

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Tremain Smith, Forest of Delight, 2014. Oil, wax and collage on panel, 24 x 30 in. Photography: Karen Mauch [1]
Tremain Smith, Forest of Delight, 2014. Oil, wax and collage on panel, 24 x 30 in.
Photography: Karen Mauch

In her latest post for the online publication ProWax Journal[1], Deborah Winiarski explores pattern in art.  She has selected two works from each of six artists, which all share an “affinity toward a reiteration of elements—whether geometrical, kaleidoscopic, musical, or textile in nature—as a starting point from which to sing their singular songs.” See and read more in “Off the Grid[2].”

Dawna Bemis, , 2014. Encaustic, encaustic monotypes, book pages, hand stitching, embroidery and pigment stick on copper on panel, 16 x 16 in. Photography: Jay York [2]
Dawna Bemis, Antique Tile, 2014. Encaustic, encaustic monotypes, book pages, hand stitching, embroidery and pigment stick on copper on panel, 16 x 16 in. Photography: Jay York
Endnotes:
  1. ProWax Journal: http://prowaxjournal.com/about/
  2. Off the Grid: http://prowaxjournal.com/2015/07/30/off-the-grid/